ASIP - Reflection on 2024

As with all my previous ‘Reflection’ year-end mixes, I begin with a collection of albums, EPs, and compilations that resonated with me over the past year. From there, I curate tracks to build the mix—a process that’s as much about omission as inclusion. Inevitably, many of my favorite tracks and albums don’t make the final cut, simply because they don’t fit the flow of the mix or get lost along the way. There are plenty of albums I played on repeat that aren’t included here, but I enjoy this process much more than creating lists.

As I remind myself each year, this isn’t meant to be a definitive “best-of” list. Instead, it’s a snapshot of some of my favorite music from the year, distilled into one cohesive and listenable format. Compiling these mixes under self-imposed restrictions is my way of revisiting and celebrating the music I’ve loved critically, while sharing it with you in a way that’s both meaningful and accessible. For me, listening back to these mixes is like flipping through an audio photograph, capturing the essence of my year in music and invoking memories from special moments.

I encourage you to use this mix as a jumping-off point—dive into each artist, explore their albums in full, and check out the labels behind the music. You can find a Buy Music Club list linked below to help you dig deeper. If you’re curious about the broader scope of music I’ve supported this year, my Bandcamp collection is always up to date. And for the ASIP year-end label compilation, you can find the feature and mix here.

~

Starting this year’s mix was no easy task. It’s been a whirlwind of a year, with my family relocating from Los Angeles back to Oregon. For a significant stretch, my ideal listening setup was in flux, and I wasn’t commuting to work as much—two key times I’d normally dive deep into the music I’d collected.

That said, I still managed to accumulate a fair share of vinyl this year (probably too much), so that became my starting point. I began shortlisting from my unsorted crate—my go-to spot for new acquisitions—despite knowing the mix would eventually be recorded digitally I always intend on ripping some vinyl-only releases. Since most of my purchases are through Bandcamp, I typically have digital files ready to go, but there are still a few frustrating cases where I’ve had to double-dip and buy the digital files separately (labels, let’s get those Bandcamp download codes in vinyl sleeves—it’s almost 2025!).

This year’s shortlist started with over 80 artists/tracks from albums I’ve loved, which I eventually narrowed down to 40 for the final mix. It’s a good representation of what’s been on heavy rotation for me. As always, I stuck to my usual self-imposed rule of no ASIP artist related tracks. I’d easily fill an entire mix with their music if that rule weren’t in place (also that’s what 9128.live is good for). I like to take this time to highlight other incredible, often overlooked releases that haven’t made the rounds in our circles, or through the usual “best of” lists.

I intended to rip some of my vinyl-only releases for this mix as a few really stood out this year, but time wasn’t on my side, and no digital was available. On the bright side, nearly all the music included here is readily available on Bandcamp for you to support.

A few callouts as you skim through the tracklist.

The latest Röyksopp album leans heavily into ambient tropes, but it’s undeniably comforting—a continuous flow reminiscent of the classic Art of Chill mixes, blending atmospheric textures with accessible pop crossovers. It nails that sweet spot, and I’m not one to turn my nose up at that.

Isabel Pine, whose demo first landed in my inbox some time ago, continues to impress—her latest release is an absolute gem. Aja’s ‘Lullaby’ is pure sweetness, so addictive I often found myself hitting repeat. C.K. didn’t drop any new ambient projects this year, but he did finally upload his phenomenal catalog to Bandcamp The track I included serves from his only 2024 release as an ambient counterpart to his more techno-focused album from this year.

Music From Memory’s Virtual Dreams compilation was a highlight for me—every track on it felt like a guaranteed vibe, no matter the mood (#1 on my HHV list). Casino Versus Japan’s comeback might just be his finest work yet, even if it hasn’t made it onto other lists out there. Its stripped-back, raw quality made it a challenge to incorporate into this mix without it becoming the centerpiece.

Minotaur Shock was a standout discovery in 2024, offering a blend of IDM-infused drum-oriented sounds. This track, in particular, is one of his most melodic. Another new find was Civilistjävel!, courtesy of Juan (OKRAA), who introduced me to the record while we were record shopping in New York. Florian T M Zeisig made waves with a ’90s-inspired album, consistently impressing with his inventive approaches (and even debuting a new alias).

nthng remains a regular on my year-end mixes, and deservedly so. My favorite track of his this year was ‘Echo Track,’ though it didn’t quite fit into this mix. Synkro returned as Ovïd with a mesmerizing slice of gaseous dub-techno—I even let it run long to max out its hypnotic qualities in the mix. Brian Grainger and his aliases are extremely productive, so it’s hard to cut through sometimes, but I always gravitate to his Coppice Halifax output.

Vril delivered an audio-sensory onslaught with his new album. While my favorite track didn’t make this mix, the entire release is excellent. I bent one of my own rules by including two tracks from Daniel[i]—a testament to the quality of that record. Rising Sun also deserves a mention. Even though his uploads this year were from his back catalog, the music is as timeless as ever (and I have a special memory of hearing this amazing track at Public Records, cementing a solid 2024 core memory).

Solar Alliance saw me bending another rule, as this is technically from the Ute collective but for anyone into '90s-style trance and downtempo- not to be missed. Xylitol, another new artist on my radar, delivered a release perfectly aligned with its Planet Mu home—think Aphex-inspired IDM with breaks and bass. Metamatics took an unexpected turn, dropping a drum’n’bass album with a '90s vibe featuring vocal samples from the emotional worlds normally assigned to DJ Healer or Rising Sun.

Finally, the closer comes from Mortal—a 1997 gem I only discovered in 2024. Though technically from December 2023, it missed last year's mix and felt like the perfect way to wrap up this year’s edition.

astrangelyisolatedplace · ASIP - Reflection on 2024

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Tracklist:

01. Chihei Hatakeyama - Insects Chirping At Night (Field Recs)
02. CHANTSSSS - Lose My (Theory Therapy)
03. Endless Trains & Taennya - Lifeless Place (Archives)
04. Röyksopp (Feat. Alison Goldfrapp) - We Enter (Self Released)
05. Merely & Malibu - outlanders intro (Year 0001)
06. anthéne - Crimson (Floralia Editions)
07. Isabel Pine - Silhouettes (Where The Flowers Grow)
08. Old Amica - Klorofyll (Self Released)
09. Aja - Absolune (Grand Musique Management)
10. Winter Silhouette - Solidarity (Peak)
11. C.K - We Share The Skies (Private Recording System)
12. Dub Squad - Blown Fruit (Music From Memory)
13. Shokunin - Darlands (Bonse1)
14. Li Yilei - Yip, Yip, Yip (Métron Records)
15. Voyage Futur - Marina Botany (Vill4in)
16. Casino Versus Japan - Licht (Self Released)
17. Minotaur Shock - With Me? (Bytes)
18. Civilistjävel! - XII (Felt)
19. Ear To Ear - Live Recordings D (Astral Industries)
20. Strategy - Numeros (Community Library)
21. Florian T M Zeisig - Wave Guide (Stroom)
22. nthng - Dont Be Scared (Self Released)
23. Brendon Moeller - Pressure (Quiet Details)
24. Lb Honne - Musium (Project Indigo)
25. Priori ft. Sabola - Learn To Fly (Naff Recordings)
26. Ovïd - Dream Sequence (Fauxpas Musik)
27. Coppice Halifax - Ceremonial (Milieu Music)
28. pondlicker - orchid media (Naff Recordings)
29. Daniel[i] - Jobkas Dom (Muzan Editions)
30. Vril - Pneuma (Omnidisc)
31. Low End Activist - Airdrop 02 (Yarnton Rd 2 Cassington) (Peak Oil)
32. Daniel[i] - Dom Amb (Muzan Editions)
33. Wardown - 5 It Is The Mercy (Blu Mar Ten)
34. Rising Sun - The Ascend (Original) (Self Released)
35. Vera Logdanidi - Euphoria (Semantica)
36. Donato Dozzy - Lucrezia (Spazio Disponibile)
37. Solar Alliance - Tri-Mind (Self Released)
38. Xylitol - Monte Mare (Planet Mu)
39. Metamatics - A Second Chance Is Rare (Self Released)
40. Mortal - Minus One (Sunny Crypt)

Buy Music Club List

Collected: Vol 4

Gi Gi - Dreamliner

Gi Gi’s Lumino Pleco from 2021 was a big fave of mine, and this new album represents an updated approach from the Texan producer. The distant smudged vocals and heart-pouring strings are gone, and more structured drums and downtempo is in - but Gi Gi still retains a delicate and approachable palette that would suit any 90’s chillout room.

nthng - Echo Track

Yes, I am a nthng super fan, and pretty much everything he touches turns to gold in one way or another. He hits that sweet deep, melodic and pure techno touch, (as well as doing ambient just as good) and the second piece of music on this EP is nothing short of simple perfection. Echo Track is the type of music you want to hear in a big dark basement with good friends.

Solar Alliance - HAMMAR​Ö​-​23

It may take some digging, especially as these guys don’t exactly pour out news on social media, but this new collective consists of our very own Mikkel Rev, his Omformer partner Filip Storsveen, and Ute cofounder, Teo Bachs Larsen. So, of course, expect some forward-thinking trance in both chugging and high-energy level forms from the Norwegian experts.

Starterra - Transformation Cycles

It’s not easy to come across Berlin-school space ambient, that echoes that of our very own Merrin Karras, or 36. But this 2022 album by Starterra, is up there with the best of them, especially the track ‘Celestial Intellect’. There’s enough movement to keep it entertaining, and enough atmosphere to fly. For listeners of the aforementioned artists, and of course legends like Carbon Based Lifeforms, Tangerine Dream and even Jean-Michel Jarre.

Neutron 9000 - Lady Burning Sky

A classic from 1994 and the days of Rising High Records, this one no doubt skipped past many; unless you were really in it to win it back then. As you would expect purely by mentioning the words “1994 and “Rising High”, this is a seminal electronic album with touches of acid, trance and classic ambient house. KLF in variety, James Bernard acid in inflection. A must-have 3LP reissued by Tiga’s Turbo Recordings (?!) and even boasting a Daniel Avery remix on this reissue version.

Find these albums and many more over on my Bandcamp Collection.

ASIP - Reflection on 2023

As with all past ‘Reflection’ year-end mixes, I start with a collection of albums, EPs, and compilations I have enjoyed over the past year. Through the process of compiling a mix, tracks are selected from this extensive collection. This ultimately means many of my favorite tracks and albums are often omitted in this process, due to the organic process of compiling a mix, things don’t fit, or fall by the wayside. There are many albums I had on high rotation missing from this mix, but I have to stop somewhere. As I say every year, this isn’t a definitive ‘best-of’ list, but a selection of *some* of my favorite music from the year in one listenable format. It’s the most enjoyable way for me to boil down the music I’ve loved from the year using these self-imposed restrictions, for you to enjoy and hopefully discover more, and for me to reflect on time and time again - like a photograph that captures the year in music.

I encourage you to use the mix to explore each artist, listen to the album in full, and explore each label (and check the Buy Music Club list at the bottom). If you want to see the majority of music I’ve been supporting this year, head over to my Bandcamp collection. For the ASIP year-end label compilation, see the feature and mix here.

~

Yikes, I crossed the 3-hour mark! Well, that speaks volumes to the amount of great music that was released this year, and I’m already feeling guilty about omissions from this mix. But alas, it needs to stop somewhere, the Holiday’s are coming…

This edition marks the tenth year in succession (2010 was the first mix but I skipped doing this for two years for some reason) and it is an extremely enjoyable exercise I look forward to every year. Revisiting many of the albums I’ve purchased throughout the year, and records from my shelf, then taking the time to absorb more recent releases - the process is cathartic (after the slight anxiety that builds knowing I have a beast of a mix to tackle, and hard decisions to be made).

Looking back at previous Reflection mixes, I am evidently a creature of habit and seem to gravitate to certain artists more than most over the years (we all have our faves), but I also take a lot of time to dig for new artists and approaches to music in this realm, and this year’s edition is probably the most varied in music styles since the Reflection series began. Ambient, field recordings, drone (Power-ambient, even), big saxophones (the flute revival didn’t make it ;-), Japanese left-field pop, deep techno, chugging techno, modern classical, experimental, jungle, breaks, dub and more… as you might imagine, this is a 3hr mix that feels more like a showcase than a DJ mix in the traditional sense, as I’m focusing on creating chapters of different styles, but I hope makes for an attentive listen if you’ve got 3hrs to spare.

Am I going to write about all 42 tracks? Not this time, as I don’t think there’s much I can illustrate other than ‘go listen to that entire album!’ but I will make a few observations on themes that emerged as I was going through this process.

Firstly, the far corners of Bandcamp are very much alive, so for anyone looking for alternatives given all the talk with Bandcamp this year, please don’t hit the escape button and continue to support us- I continued to find so many new labels and artists, some of which are included here such as Liis Ring, Etüüd, ǝɯǝɐ, Azu Tiwaline and not to forget a kick-ass Jungle community throwing out some lovely 90’s infused comps. Bandcamp keeps small labels and artists alive right now (only two of these tracks were physical releases and not on Bandcamp - #19 & #42).

I spent a lot of time listening to music that would work for the two shows I played in Japan earlier this year, and for those who listened back to one of the sets I posted, you may notice a few similar tracks/artists appearing here again which I’ve held in high regard since their release, such as Jo Johnson, Field Lines Cartographer and Endurance. On reflection, there was a lot of deepness for me this year that came from preparing for and inspired by those sets, sitting on the edges of techno with lots of synthesizer/Berlin school projects (as well as a couple of artists I got to see in person whilst over there such as Yolabmi and Endurance).

There were a couple of glaring omissions from this mix (*checks Bandcamp app most played*) which I had on rotation so much this year that I still wanted to mention, such as Imaginary Softwoods, who was behind one of my favorite tracks of the year, ‘Diagrams of the Universe’. Along with Johnny Nash’s Point of Entry - a tranquil guitar-laden affair, both of which never left my turntable for long.

The ever-expanding ASIP roster of artists, both alumni and current, had an extremely busy year evidently (I try to restrict their inclusions in this mix where I can otherwise it could be an entire ASIP promo show… hey that’s an idea…). bvdub released about ~10 masterpieces, as only he can, flaunting all possible peripherals in his deep arsenal (along with rounding out the Earth House Hold project with us of course). ASC was crazy busy with his quality retro Spatial DnB releases (one of them made it in here). For those who enjoyed Alex Albrecht’s debut with us, don’t miss his earlier 2023 release. Deepchild released another great textured follow-up to his ASIP debut for those wanting more. 36 continued some rave-esque ambient no doubt inspired by his 9128 recording a few years back. Markus Guentner began an exciting collab project with Joachim Spieth (and also appeared in several other collaborations). RAI kept things relatively reflective with a few Bandcamp specials and recordings from his live tour. Benoit Pîoulard made a beautiful return to Morr Music, and Christian Kleine rounded out the year with a limited vinyl press. Those needing more from our 2023 new signing Mikkel Rev, can check out his earlier album released in January this year. James Bernard had a busy year alongside his wife as Awakened Souls, and found more 90’s DAT goodness among many other projects. Mick Chillage released a superb sleeper IDM album in the form of Initial Programs. Dr Atmo’s throwback to his early sounds saw a rebirth of one of his most enjoyed albums alongside new remixes. Wanderwelle made their second full-length odyssey for Important Records and Yagya continued to explore uncharted new takes on his sound through his new label imprint. Scanner’s innovative repertoire continued to expand and one of my faves of his came in the form of this collab. Hior Chronik published a couple of unreleased gems. And lastly, Ludvig Cimbrelius aka Purl/Illuvia and Arovane managed to sneak onto this mix with a couple of their releases…

Two labels who hit home runs for me this year with the majority of their releases. Illian Tape had some extremely great (and varied) electronic releases. And while Mysteries of the Deep’s output was relatively choice (quality over quantity), 3 out of the 4 releases made it onto the mix!

There are a couple of tracks in the mix from albums that align with what seems to be, the common consensus on some of the ‘best’ electronic releases from the year (one of the advantages of my waiting until mid-December to finish this mix is I see what other people are rating highly or what I might’ve missed) such as James Holden’s psychedelic return, and Purelink’s amphibious dub LP. But other than those two, I think everyone should find something new among the twists and turns across the 3 hours and 42 tracks.

For the mix artwork this year, and after last year’s terribly basic AI take (it’s come a long way in a year!), I toyed with creating another AI attempt on a “A Strangely Isolated Place” prompt, but you have to spend time to get quality back out of these lil’ work gnomes. Every image I created from that prompt ended up being a stereotypical lonely hiker (with 4 fingers I’m sure) strolling through a highly conceptual colorful future universe. Either that or a decrepit shed…

So instead, I opted for an image that means much more to me… a wall. Not just any wall though, it’s the wall outside of Spread nightclub in Tokyo where I had the pleasure of playing an ambient set this year, meeting new friends, and making some amazing memories.

Thanks to all of the artists and labels included here who have soundtracked my year in more ways than one, and the many more I didn’t manage to include this time around. Be sure to check the previous year’s Reflection mixes for more of the same.

Hope you enjoy the listen back at a great year of music.

astrangelyisolatedplace · ASIP - Reflection on 2023

Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android app

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Tracklist:

01. Sleep D - Hector (Dreaming) (Butter Sessions)
02. Liis Ring - after-image IV: abborresjön (Breton Cassette)
03. William Selman - Leaky Paradise (Mysteries of the Deep)
04. Etüüd - Õhtute kollane tolm (Self released)
05. TU M' - Monochrome #26 (Line Imprint)
06. Arovane - ypaal (Quiet Details)
07. Field Lines Cartographer - Mountain Icicles (Castles in Space)
08. Dream Dolphin - Gaia (Ethereal Fantasy) (Music from Memory)
09. Salamanda - Nostalgia (Wisdom Teeth)
10. Endurance - Crest v2 (Muzan Editions)
11. Suzanne Ciani & Jonathan Fitoussi - Coral Reef (Transversales)
12. Alex Israel - Vacua (Somnambulant Drift)
13. The Black Dog - The Mundane (Dust Science)
14. Locust - Miriam (Mysteries of the Deep)
15. Niko Tzoukmanis - Way Home (Libreville Records)
16. Jo Johnson - Transience (Mysteries of the Deep)
17. Dasha Rush - Dubby Doo (Raster Noton)
18. ǝɯǝɐ - Andrei Rublev (Secuencias Temporales)
19. Gigi Masin & Rod Modell - Red Hair Girl At The Boat Shop (13)
20. Toki Fuko - Part Two (Astral Industries)
21. shedir - Deer Fluent in the Wind (n5MD)
22. Ayaavaaki & Purl - Distant Lights (Ovum III) (LILA)
23. Bana Haffar - Sit Still (Touch)
24. Mike Lazarev - Tonality Number Two (PITP)
25. Claire Deak - In Defiance of Time (Lost Tribe Sound)
26. Lord of the Isles feat. Ellen Renton - Don't You Ache (AD93)
27. nthng - Unlimited (I) (Self released)
28. Donato Dozzy & Sabla - Flusso III (Gang of Ducks)
29. Sindh - Spyres (Sindh)
30. James Holden - In The End You'll Know (Border Community)
31. Andrea - Audieze (Ilian Tape)
32. ASC & Aural Imbalance - Overcast Skies (Auxiliary)
33. Accelio - The Garden (Sawteeth)
34. Yolabmi - Liquidity (29 Speedway)
35. MPU101 - nurMKS30 (Ilian Tape)
36. Ylia - Ame Agari (Balmat)
37. Azu Tiwaline - Antenna Opening (I.O.T Records)
38. Purelink - We Should Keep Going (Peak Oil)
39. Priori - Top Soil (Rhythm Büro)
40. Hysterical Love Project - Ionian Sea (Motion Ward)
41. Om Unit + TM404 - Microdose Mondays (Acid Test)
42. David - Daybreak (Simpler Times)

Buy Music Club List (all tracks available digitally on Bandcamp other than #19 (here) + # 42 (here)

The Observatory - ASIP

The Observatory is a new mix series curated by Jay Keegan and has already featured a few of my favorite artists and DJs since its recent inception. I can tell that Jay has an ear for great sound and curators, so I’m excited to see where the series goes in the future and was honored to play a part in its path forward.

I took the opportunity to spotlight a few unreleased gems in this mix, as well as two very exciting ASIP releases in the works…

Recent contributions have come from the likes of, Jo Johnson, Toner (Liminal Dreams), Gentle Force and Patricia Wolf. Listen to the full series on Soundcloud.

Here’s what I had to say about the mix when sending it over to Jay.

This mix came together over a 2/3 month period, as I've spent a large part of the summer between Oregon and California with family and haven't had much dedicated time to focus on a mix. Normally I approach mixes more conceptually, but this one came to life organically in pieces, over time. In hindsight, the mix reflects a specific period in time for me and a lot of my life musically over the past few months. From the unfortunate passing of Brian McBride (Stars of The Lid) and revisiting those brilliant albums nearly every evening; anticipating the new Lord of The Isles album after his standout isolatedmix this year; our latest label addition from Mary Yalex; music being sent to my inbox from new artists; and of course, a couple of upcoming ASIP releases that are keeping me busy lately. Thank you for having me as part of the series.  

The Observatory · The Observatory - ASIP

Listen on The Observatory Soundcloud or the ASIP Podcast

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Tracklist:

01. Mary Yalex - Snowy Avenue (Excerpt) (Yalex Recordings) [Forthcoming]
02. Stars of The Lid - Down (Kranky) [2001] 
03. Monolake - Mass Transit Railway (Field Records) [2023]
04. nthng - Unlimited () (Excerpt) (Transatlantic) [2023]
05. Liai - A-A (Quiet Time) [2022]
06. Terre Thaemlitz - Liebesmachine (Comatonse) [2019]
07. Biosphere - Antennaria (Alternative Version) (Biophon) [2022]
08. Vernal Equinox - Six Figures In A Landscape (Clover Recordings) [1997]
09. hoyah חיה - BB walk [10129] (Mellia) [2022]
10. Andy Aquarius - Kyrie (Constellation Tatsu) [2022]
11. Romance & Dean Hurley - Still Lives (Ecstatic) [2022]
12. Chihei Hatakeyama - Insects Chirping (Field Records) [2023]
13. Lord of The Isles - Last Day (AD93) [Forthcoming]
14. Alex Israel - Octonions (Somnambulant Drift) [2023]
15. Shīdo - Denial (Unreleased)
16. Owl - Moonshine Haze (Silent Season) [2021]
17. Not Glass - Fallite Fallentes (Ecstatic) [2019]
18. Carl Stone - Lim 1974 (Unseen Worlds) [2016]
19. Stars of The Lid - Preludes (In C Sharp Major) (Kranky) [2001]
20. Arovane - Yord (Quiet Details) [2023]
21. Markus Guentner & Arovane - Utopian Fragment (A Strangely Isolated Place) [Forthcoming]
22. Salvatore Mercatante - Open, Open (A Strangely Isolated Place) [Forthcoming]

Mix artwork by Clayton Ciolac

isolatedmix 122 - Mary Yalex

We are very excited to welcome Mary Yalex to the label soon, and her upcoming release set to be announced in August. Mary’s work has appeared on respected labels such as Muzan Editions, map.ache’s ‘Kann’’, Carsten Jost’s ‘Dial’, Sound as Language, and her own label, Yalex Recordings. Her productions have spanned various ambient and experimental styles, and I am very excited to present a new album distilling her years of hard work into her sharpest vision yet.

There’s no better way to get to know an artist than stepping up to the isolatedmix series to illustrate your music style and background, and the mix is a great reflection of what to expect from her new record.

Mary Yalex’s album on ASIP is set to be announced in August, so in the meantime, please enjoy a short interview and perfectly curated mix (including a track from the upcoming album to preview).

~

Hi Mary, what has influenced you to produce music today?

As a child, I was attracted to music not played with acoustic instruments.  My mother had a Vermona Piano Strings in the DDR. It was 1989 when my mother bought them and I was 5 years old. I liked to play Rum on the piano and tried to play melodies (and the scratching of the sliders, when you wanted to switch to strings, was really terrible as I remember it).

Music has always played a big role in my childhood. I would look and listen excitedly to my mother's record collection, from Pink Floyd, Led Zeppelin to Bronski Beat. I think the music you hear as a child is a much greater influence than what you hear today, and my interest in electronic music works was there from the beginning.

Over the years, you acquire techniques and repetition, and processes for how to make music. But today's influence is much more based on what happens around you, as in the world; how you perceive things and the people you are surrounded by, more than the music you hear. A melody always comes out of a mood and feeling.

I’m interested to learn about this production process; how you approach making music conceptually - do you have ideas & concepts or improvise? 

When I make music, I sit down at my synthesizer or electric piano and play a melody first - the main core. It has to feel great, if not then I'll throw it away. I never force myself to make music, for me it is important, there must be a feeling and it must flow. I like to use the same techniques that have been acquired over the years - it is a familiar process of editing.

So what motivates you to sit down and make music? Is it a personal outlet? How easy does it come to you? 

For me, it is a passion to make music, a feeling that has to come out. I get in a bad mood when I can't make music so it also helps me cope with moods, discovering new sounds and possibilities again.

What instruments/gear do you tend to focus on or always work with?

I mainly produce with Elektron Octatrack, Clavia Nord Rack 2 and Elektron Digitone.

You normally accompany your releases with your own paintings - how would you describe this relationship? Were you a visual artist or a musician first?

I used to paint in my childhood when I lived in Austria. I only really started producing electronic music more recently. I want to give the whole thing a picture - something that is more than just a photograph.

How does your home city and local history impact your music?

I have been living in Erfurt now for a year and a half. I'm getting older and I'm also looking for a quiet life. I don't need the hustle and bustle of a big city anymore. Here in Erfurt I also have my studio. During the Corona period, I decided to go back to my home country. It hasn't really changed much for me as I live very withdrawn. For me and my music, the place has never played a big role. Back when I went to Leipzig in 2008, there were more opportunities in my learned profession. 

Your isolatedmix is a mixture of different styles of artists, many of whom are on regular rotation for me. Can you tell us how you approached the mix?

I always look for pieces that match my mood. You start with quieter pieces, which are also a bit atmospheric. I like to combine emotional music with ambient drone pieces, the dreamy pieces at the end. For me, it always has to sound like a trip.

If you could make a mix of any type of music, what would it be and what might be the most surprising track inclusion?

Boy Harsher - Burn it down

You have a new album coming up on ASIP, what can people expect?

To describe it briefly, it is for me, one of my most profound and dynamic albums…

~

astrangelyisolatedplace · isolatedmix 122 - Mary Yalex

Listen on Soundcloud or the ASIP Podcast.

Download MP3

Tracklist:

01. James Murray - Careful Now
02. CORBEN - The Zills
03. Ripperton - Ingénuité
04. The House In The Woods - Tone Intervals
05. Chestnut People, Priori, Ludwig A.F: - IV
06. Viul & Benoit Pioulard - Catalune
07. Mary Yalex - Endless Possibilities
08. Lauge, Alvaro Suarez, Fallen Metropolis - -FAM015- May 7 - Live 
09. Room 208 & Zuwe - Time Moved Like It Used To
10. DJ In A Dream - La Silhouette
11. Måla - E Is For Elegance (With Burning Pyre)
12. Martinou - ...in all it's splendor
13. Boliden - Pools
14. Malibu - Atlantic Diva
15. Boy is Fiction - Silversand
16. nthng - Looking Outside

Mary Yalex | Website | Bandcamp | Instagram | Soundcloud