isolatedmix 128 - Will Oirson

Willem van der Ploeg, hailing from the Netherlands, is a DJ, producer, and co-founder of the label The Something Something, alongside Rutger Paulusse. Willem has been a long-time follower of ASIP, often supporting our mixes and asking for track IDs—something that always piques my curiosity and often leads to unexpected finds. So I was delighted to stumble across another amazing cave of DJ sets through The Something Something’s Red Light Radio show, offering up sessions from recognizable guests such as Alex Albrecht, Wanderwelle and Ario, and then going on to see the fruition of the label in recent years.

As part of The Something Something label, Willem has been gaining momentum with his own production work, leaning toward serene, textured ambient, enriched by found sounds and often shimmering, beautiful melodies. This is showcased perfectly by his 2020 EP, Inland / Tomorrow, of till the end of time, and his most recent single, Escapism.

Will’s DJ sets recently earned him a spot at the prestigious Draaimolen Festival, officiating his keen curatorial ear, which will no doubt lead us all to a world of new artists to explore - a perfect requirement for the isolatedmix series and the mix at hand for #128.

"Thank you for the opportunity to create a mix for ASIP, Ryan!

Many times in life, music helped me to overcome certain hurdles. It always gives me a feeling of escapism and on many occasions it shined a light on dark days. The same goes with this mix; I feel a sense of lightness after experiencing a big burnout a year and a half ago, in which time I’ve made a lot of music. It had no intention, it was just about frequencies and emotions. Now that I'm feeling better, I’ve started releasing tracks and even performed a dj set at Draaimolen Festival Festival featuring some of this music. This mix for A Strangely Isolated Place is about seeing light again, the overcoming of obstacles, and a rekindling of dreams.

It includes some of my favourite tracks from the past few years, such as ‘stasis__relief__’ by 𝚐𝚊𝚋_𝚒 and 'Pillow, Mantra and Trance’ by Li Yilei. And I’m also pleased that I could slip in some amazing music by friends like Bas Dobbelaer, Ramses3000 and Brian Omen. 

Please take a moment to explore the artists and labels included in this mix. They’ve created truly remarkable work, and many continue to do so.” - Will Oirson 

astrangelyisolatedplace · isolatedmix 128 - Will Oirson

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Tracklist: 
01. The Humble Bee - Section V Light [Astral Industries]
02. Brian Omen - 430 [The Something Something…]
03. Leo Cunningham - Dreaming In Threads [Opal Tapes]
04. Azu Tiwaline & Al Wootton - Last Scene [Livity Sound]
05. 𝚐𝚊𝚋_𝚒 - stasis__relief__ [self released]
06. Li Yilei - Pillow, Mantra and Trance [Métron Records]
07. other joe - a cat can look at a king (ft. J) [ost]
08. Will Oirson - Doubting the Hardness of the Spider, I eat the Nest [The Something Something…]
09. John Beltran - You Internalise Them [Delsin]
10. Dettinger - Intershop (7) Remastered 2024 [Kompakt]
11. Bas Dobbelaer - Rest [Something Happening Somewhere] 
12. Jonny Nash & Lindsay Todd - The Gecko That Wore Its Skin Inside Out [Island Of The Gods]
13. Daniel.mp3 - 3 am walk (Slowed & Reverb Version) [self released]
14. Igor Dyachenko - Object (feat. Nikolay Kozlov) [self released]
15. Illuvia - Afterlife Prism [A Strangely Isolated Place] 
16. Zane Trow -haklne [Room40]
17. NEXCYIA - hydro [self released]
18. The Kyoto Connection - Memories From Japan [Temples Of Jura]
19. Luke Elliott - Refractory Cores [AKP Recordings]
20. shinetiac - Dodge Viper Lullaby [West Mineral Ltd.]
21. Jo Johnson - Orbit [Mysteries of the Deep]
21. Ramses3000 - Aphasia [Intercept]

~

The Something Something Soundcloud | Bandcamp | Instagram

isolatedmix 127 - David Douglas & Applescal

Two familiar names step up for our next isolated mix, with a highly conceptual approach that matches their new (and similarly conceptual) collaborative album, ‘Démarrage’.

I’m unsure where I would start if I were to create an album based on a love of cycling. Weirdly enough, it wouldn’t be the first electronic album to do so (See Kraftwerk’s, Tour De France, of course), but it’s obviously a big enough inspiration to spur electronic producers David Douglas and Applescal. After listening to t‘Démarrage’, it makes total sense, in more ways than one. The energy, euphoria, drive - even the pop of color and variation in approach - an effervescent continual movement throughout its 10 tracks.

Applescal contributed an isolatedmix some twelve (!) years ago now, and it remains one of our most popular in the series. Combining multiple styles across an addictive hour of listening, the session proved Pascal is a master at developing a conceptual narrative in mix form, and now evidently in album form. David Douglas, who has made numerous appearances on Pascal’s Atmonation label, with one highlight for me being 2014’s, Moon Observation’s, is similarly a man of conceptual understanding and many undercurrents, spending time scoring music for films and commercials, while also releasing under a new alias HATY HATY, which combines electronic and indie music tendencies.

I imagined a hybrid of styles to appear on their mix submission, and I wasn’t disappointed. But for it to also match the concept of their new album, takes it up a notch. The mix, goes as slow as Chihei, with the euphoric highs of The Paradise, sudden bursts of pace in Eversines, the anguish in Bersarin Quartett, and the comforting (I can see the finish line-vibes) of Ulrich Schnauss, in an unexpecting manner that’s on par with the unexpectedness of Fourtet’s not-so-secret secret side project.

“Just like our album "Démarrage," which is essentially a long mix of interconnected tracks, we aimed to tell a broad story with this mix. We love to approach music as a continuous mix, as you can set a certain different vibe and have tracks complement each other. Our mix for ASIP begins gently, like a warm bath, with the calming sounds of Chihei Hatakeyama's "Calm Sea." Later on, we bring up the pace with the remix from Roman Flugel. We end with a return to tranquility and introspection with work from Bersarin Quartett and Skúli Sverrisson. Just like on our new album, we added a bunch of samples of cyclists to capture the emotion of the race” - David & Pascal

astrangelyisolatedplace · isolatedmix 127 - David Dougls & Applescal

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Tracklist:

01. Chihei Hatakeyama - Calm Sea
02. Tomaga - Intimate Immensity
03. Kyle Hall, Kero - 19FT
04. Unit Moebius - Dolfinarium
05. Tambo’s House - Jhe Gu Jye
06. Dusky - Metropolis
07. C.A.R - Idle eyes. (Roman Fluegel Remix) Applescal body Edit
08. The Paradise - In Love With You (Alan Braxe Remix)
09. Fasme - Sweet Flux
10. David Douglas & Applescal - Galibier
11. David Douglas & Applescal - Galibier (Gruppetto)
12. ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ʅ͡͡͡͡͡͡͡͡͡͡͡(ƟӨ)ʃ͡͡͡͡͡͡͡͡͡͡ ꐑ(ཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧✧✧✧✧✧ළඕั࿃ूੂ࿃ूੂ
13. Eversines - Vlaag
14. Eversines - Vlaag (Beatless Version)
15. Ulrich Schnauss - A Letter from Home
16. Bersarin Quartett - Verflossen ist das Gold der Tage
17. Skúli Sverrisson - Instants

Applescal | Bandcamp
David Douglas | Website

isolatedmix 126 - Saphileaum

After Sa Pa’s isolatedmix contribution last month, we continue in an unintentional alphabetical spectrum of brilliant producers, with Saphileaum.

There comes a time after listening to some musicians for many years that certain instruments and musical approaches begin to stand out. Sure, most of the time you probably know what album you’re sticking on the turntable, but when you have those days you put on shuffle (or when you’re listening to 9128.live, cough cough), some producers start to stand out and trigger the music-geek in you from the first few seconds. It can take many years or decades to find and hone a unique style, but I think Georgian producer Andro Gogibedashvili is well on his way to carving out a unique style of organic, new-age ambient and tribal-infused techno.

Saphileaum’s isolatedmix is a perfect example of his style as a whole, with elements you might hear in his productions stylistically coming to the fore throughout the 25 tracks, despite not including a single track of his own in the mix.

I sent Andro a few questions to complement this wonderfully energizing trip. Check out his latest release on the revered Mule Musiq label, and expect more music from him soon.

~
I first came across your work in 2019 with Silent Season, how have things changed for you since?

My first release on Silent Season called "The Traveler" was a sort of a turning point for me and my sound. It was music that I'd created after a pretty long break recording-wise. Since the release was out, a sort of a new journey began for me. I started making more tribalistic and electro-acoustic musical pieces and was also trying to balance them out with downtempo and half-beat grooves, sometimes a bit techno-like maybe too. I also dived a lot into Percussions and eventually ended up learning and playing on real Congas, Bongos, and Georgian Dhol. I'm still in the process of learning and hopefully, it will never end!

I can start to recognize your style over the years which is often a sign of a great unique producer. But how would you describe your sound to someone new?

Thank you very much! I appreciate it. I would describe my music as "Background Music", "Music which you play at gatherings", "Music for Meditation", "Music for looking at the night sky". I would describe the sound as Tribal, Ambient, Cosmic, Joyful and Relaxing. 

Your Discogs profile states "Saphileaum is highly inspired by esoteric, mystic, new age, cosmic and visionary art and teachings". Do you think New Age music is becoming more prevalent today? Is this something you aspire to? 

Yeah, I think New Age music is slowly starting to get more and more recognized. It is quite a young genre still, compared with the other ones. Plus, there are some musicians and producers who are pushing the boundaries of what New Age music can sound like and it's really amazing to see it grow. First thing that I immediately fell in love with, before listening to the actual music, was the name itself, New Age Music...

You’ve been on several labels over the years including Oslated, Constellation Tapes, Mysteries of the Deep, Mule Musique and Good Morning Tapes (the GMT released in 2021 was one of my favorites of yours). What is the goal of releasing on different labels?

I look at labels as traveling to another country that I've never been to. Meeting new people, exploring its culture and heritage, and contributing to it. There are always new possibilities, new inspirations, and new crowds in every label. It's very important for me that a label where I release music has a sort of a musical or ideological vision that I share and like and that it's represented well visually. I should feel inspired by and connected to it.

Can you tell us about the mix you have prepared?

The mix was mainly inspired by the music I've been enjoying recently. It's ambient, but it’s rhythmical and diverse. There are a few ethnic tracks that might sound similar, but they have elements that differ them culturally. I like the thin multicultural line it has, which might be tricky to notice, maybe. To be honest, there was no particular vibe I was after, I just wanted to create an interesting musical journey to enjoy.

There are quite a few artists in here I’m unaware of, are there any you’d like to call out in particular? 

I would like to thank all the artists, whose music I've included in this mix, for creating these pieces and putting them out in the world. I recommend checking them all out, there's much more to explore!

astrangelyisolatedplace · isolatedmix 126 - Saphileaum

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Tracklist:

1. DJ Sports - Akrasia (Subsidiary Mix)
2. William Arist - Black and White
3. Andrew Pekler - Hy Brasil
4. Don't DJ - Southeast Subteranne
5. Another Fine Day - Esperanto
6. Greville - Marbles
7. Forest on Stasys - Atlantico Sur
8. Eyot Tapes - Jungle Tapes
9. Robert Rich - Rainforest Suite Drumsong
10. Jeans - Ganglia
11. Om Buschman - Prima Kalimba
12. Guem et Zaka - Mouvements
13. Sara Berts - Nova
14. Mo Boma - Jijimuge Two
15. Yves Tumor - Role In Creation
16. Posm - Bamboo
17. Steve Roach - The Reflecting Chamber
18. Jorge Reyes & Antonio Zepeda - Wawaki
19. Auragraph - Downcast
20. Nicolas Gaunin - Marama
21. Matthewdavid - Unfolding Atlantis
22. Sage - Mind BodyAlgorythm
23. Gigi Masin - Panama Girl
24. Asa Tone - Perpetual Motion Via Jungle Transport
25. Alex Kassian - Chopstick Romance

~

Saphileaum Bandcamp | Instagram | Soundcloud | Facebook

isolatedmix 125 - Sa Pa (Sleep In)

As someone who enjoys the process of putting together mixes- specifically more conceptual ambient leaning mixes- I often think about how I would approach playing an event designed for sleep. I’m yet to play a set like this live, but I did tackle something similar in the Portals series by roughly mixing styles that aligned to specific sleep stages (eg, REM, deep etc). But in person, sleep is never as predictable as hypothetical sleep stages in a recorded mix, let alone the idea of a room full of people mirroring these stages at the same time. To approach an in-person set designed for sleep would be a daunting undertaking, but an extremely rewarding experience for both DJ and listener - the career highlight for an ambient DJ, maybe... They say the warm-up set is the hardest test for a DJ and I would tend to agree. But I’d love to see some of the world’s best DJs execute 3.5 hours of music for a room full of people looking to do the exact opposite of dancing, or even listening, for the entire duration…

Sa Pa has executed this concept flawlessly.

No stranger to the minutia and atmosphere needed to transport someone from a horizontal state into an elevated lucid dream, I can hardly think of anyone better to take control of such a situation than Berlin-based artist, Sa Pa. His latest release for Astral Industries (the undisputed label kings of lucid states, no doubt) is the perfect example of transportive and psychedelic ambient music down to the finest grain of sound, sample and texture.

If Sa Pa’s productions weren’t enough to demonstrate his transportive power and worldbuilding tendencies, then his recent captures from his own Absurd Lustre events, or his mix for one of our 9128.live takeovers, may have provided an additional glimpse of what to expect when he was given the reigns for an all-night sleep in event recently, in Leipzig.

“For years I've kept a mental cache of what music would I'd love to play at a sleep in, but was never really sure if there'd be a chance, so small some dreams came true that night for me too - it was a pretty rare experience I'd say especially with everyone there really taking part in the concept”.

It’s not often we get the chance to host a set from an event that by its very nature, is designed to be experienced in person, but after several trials of this mix (on a plane, going to sleep, and waking up from sleep, then all states in between), the concept translates to an outstanding headphone session and the perfect concept for a defining moment in the isolatedmix series of concepts and sounds.

“I think it was one of the deepest and most solitary DJing experiences I have ever been part of, and driving a three and half hour cloud through the pitch darkness was a beautifully liminal journey, caring for the dreams of those in the room, some 100-200 people or so”.

A 3.5hr liminal state available for your own time and place, in the gentle hands and ears of Sa Pa, displaying the very essence of horizontal ambient music designed to immerse, weave and transport. Featuring tracks from, Luc Ferrari, Zenxen, Pinkcourtesyphone, cv313, Jason Lescalleet, Yann Novak, BJ Nilsen, Robert Henke, Rod Modell, Ryoji Ikeda, Steve Roach and Sa Pa, himself.

Introduction and words from Sa Pa - ‘Diary of a Lonely DJ’:

There’s something about gazing out of a train window or being 30-thousand feet high up in the troposphere, that evokes a feeling of what we try best to describe as liminality. With this in mind, Deutsche Bahn had me scuttling toward Leipzig from Berlin on a typically stark and windy day that could of been taken right out of a Wim Wenders classic; the treetops lining Urbanstraße on the way to Hauptbahnhof looking as stripped and brittle as burnt skeletons in the snow.

Some 8-to-10 degrees warmer in Saxony, I arrived at a city shrouded in mist, with the darkness of the early afternoon somehow made a touch warmer by that first Friday-feeling of the year. Onwards to Leipziger Baumwollspinnerei - a converted cotton mill where this evening’s ‘Sleep In’ would take place - the 14 tram would rumble past the pink and lilac glow of the city’s opera house. Sleep Ins are no new thing, and to be in the arms of the proverbial morpheus with some 200 people in an industrial estate does have its abstract appeal, and I’d be lying if I said I wasn’t a fan of the concept.

Around 6PM, dragging their mattresses in with them, it was encouraging to see people arrive some eight-hours before the witching hour. Tuning in to the event myself, and finding a little respite backstage, I drifted in and out of consciousness, occasionally breaking REM sleep to acknowledge the sounds of “Simple Headphone Mind” and Zoviet France’s remix of Panasonic, reverberating in the hall.

With a medley of lullabies soundtracking the evening so far, preparing selections too deep even for my own Absurd Lustre event, provided a much needed boost of waking life before taking to the couch in the DJ booth. Over the course of the next three-and-a-half hours, in near pitch-darkness, I was able to draw from a rare cache of non-music and atmosphere, embraced at large by a small flotilla of sleeping souls, leaving port to navigate the inner landscapes of a technicolour head trip.

With only the dimmed lights of my equipment and an exit sign illuminating the room, safe to say, it was a resolutely profound DJing experience and deep journey into the estranged fields of time and space. There were moments at the helm where I felt like a small craft adrift in a sea of voluminous black, while simultaneously part of a delicate collective sub-consciousness, sailing through a dream-like abyss. As if bridging a void between the physical world and something beyond the imagination, it was truly a strangely isolated place.

~

Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android app

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astrangelyisolatedplace · isolatedmix 125 - Sa Pa (Sleep In)

The start of the event, as attendees bring in mattresses ready for the night and Sa Pa’ set.

Sa Pa | Web | Instagram | Soundcloud | Absurd Lustre | Soundcloud (Absurd Lustre) | Instagram (Absurd Lustre)

isolatedmix 124 - Milo Bragg (Future Primitive Records)

ASIP is going on fifteen years of existence now (as a website and blog at least), and a few things have remained a constant over the years helping keep us going. One of them has been the support of Juno and in particular, Milo Bragg, who was the first distributor to take us on as a label back in 2013.

As many labels and musicians will know, it’s pretty hard to get your start in this world, and Juno can be held up as one of only a few who have kept an open ear to our style of music and given it a home (and subsequently many other labels like us). Over these past ten years or so, Milo and I have gotten to know each other relatively well, and more recently Milo has stepped into the label game with Future Primitive Records and can be found putting together some sublime vinyl-forward mixes.

I’m excited to find our worlds overlap here in the isolatedmix series, as Milo recorded a vinyl-only set a few months back and sent it my way, (after a long delay - sorry Milo - Good things come… etc etc.). Featuring several tracks and albums that have been on high rotation for me, it’s a superb trip that I think many of you will enjoy.

~

You’ve worked at Juno for many years now, how has this shaped you musically? For example, I imagine getting exposed to a great amount of music over the years... 

It’s definitely helped me find what I do and don’t like for myself. When I first started in the late ‘90s/early ‘00s I’d sit and listen through a massive pile of records at the end of each day and didn’t have to pay attention to press or DJs like most people back then, I could find the good shit for myself! Listening to the new releases in an office environment shaped my taste to be more chilled too. It just suits the environment, when I first started I was predominantly into hard club bangers :)

I’m interested to know a bit about your view on record labels within your role and what you think it takes to succeed as a label nowadays. Everyone knows pressing vinyl is hard, and securing a great distributor like Juno is just as hard and critical for further exposure. How have you seen things change for labels since you started at Juno all those years ago? 

It’s so tough for vinyl labels now especially the new smaller ones doing really interesting stuff sadly. The visual side of things has become so important with stores using Instagram so much they need the record to look good. I think the “anti-marketing” days of just putting some clips up on Soundcloud are over sadly, I’m always so stoked on DJs/artists/labels that aren’t on Instagram but I don’t think you can escape it anymore, especially if you’re just starting out.

Silent Season · Campfire Stories 79 (A New Dawn) by Milo Bragg

Juno has always been a great supporter of ambient music in general, giving a platform to many small labels such as ourselves over the years. What does it take in your opinion to secure a distributor like Juno?

Yeah, my boss Richard (one of Juno’s founders) loves his ambient :) If you’re not going to get a well-known artist involved at the early stages to help bring attention and get the label off the ground, the music (and artwork) had better be bloody good! 

You’ve got your own projects going on too, with the Club Rooted mix series and the Future Primitive label, can you give us a brief intro into these?

 Club Rooted was a product of listening to records in the Juno office with Matthew Kent (Blowing Up The Workshop/Mana) and suddenly realising they weren’t dance music anymore but still very much rooted in club culture. I got really excited about that zone and thread that runs through electronic music’s history. There are so many good labels pushing stuff that rides this line, and events too like Absurde Lustre (& more recently A New Wave) in Berlin run by Sa Pa & Blume.

How or why did you decide to start Future Primitive? (Did seeing labels at Juno all those years make you want to do something similar?!) 

I’ve always been obsessed with vinyl labels so of course I’d want my own and it was a way of contributing to the scene without being a producer + I came across a lot of music through work by artists like Murcof & DJ Guy that was CD or tape only the label was a way of me getting those tracks onto wax! The original of The Leo Anibaldi track “Aeon Fusion I” from FPR001 was super fast too and the label enabled me to work with the artist to slow it down and to get it DJ-friendly for the vinyl heads :)

This mix came out of nowhere and (for everyone here) took a while for me to actually publish it since you sent it last year! What was the inspiration behind it?

I got excited about recording an ambient mix. It felt challenging, I wanted to capture something in between the old chill-out room sets and a modern-sounding warm-up. It only takes a couple of good records to inspire me to start piecing a mix together, it’s often their juxtaposition I get a real kick out of. I love beat-matching records that shouldn’t work together on paper and have always found DJs that make a new sound by mixing old records very inspiring, it’s not a million miles from producing really. Konduku is definitely someone I think finds a new thread in old records that inspires me a lot.

Club Rooted · Club Rooted #3 / Konduku

Given you get the pick of the bunch at Juno and get to listen to so many records in advance, who are some musicians or labels that might be relatively new or unheard of that excite you when landing on your desk? 

PVAS, Kosmogonik (check their ambient stuff!), Purelink, Cousin, Yushh, Mu Tate, Sindh, X Or Size, Rat Heart + love the Luck Of Access and Doo labels.

I’ve followed your mixes for years now, but see you’re also DJing out quite a bit more now. What are some records that never leave your bag?

Money Morning - Corporate Karma, Drux – Transe Deep Version, 3 Chairs - 3 Chairs, Alka Rex - Shapes to Phases, Bluetrain - Babylon Paralysis.

~

astrangelyisolatedplace · isolatedmix 124 - Milo Bragg

Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android app

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Tracklist:

01. Dwig - Keep Us outro (Dwig)
02. Leo Anibaldi - Evocation Part II (Future Primitive)
03. Benjamin Brunn - Life Cycle (Black Wall)
04. Deadbeat - Right As Rain (~scape)
05. UD - Adapter (Kimochi)
06. Alexx A-Game - Braver (Swing Ting Smooth Version)(Swing Ting)
07. CN - Adrift (Future Primitive)
08. Satoshi & Makoto - Crepescule Leger (Safe Trip)
09. Bauri - Have No Fear (Expanding Records)
10. Sindh - Ayaka System (Sindh)
11. Being - I Can't Look At It Though (Firecracker Recordings)
12. The Detroit Escalator Co. - Float (Peacefrog Records)
13. Leo James - Lonely (Mind Dance)
14. Money Morning - Therah (Acting Press)
15. Mike Paradinas - Hi-Q (Interdimensional Transmissions)
16. John Heckle - Where The Wild Ones Go (Mathematics Recordings)
17. Tongues Of Light - Awakening outro (Pre-Cert Home Entertainment)
18. Design A Wave - Weird F (No 'Label')
~
Artwork photo by Jethro

Future Primitive | Web | Soundcloud | Bandcamp | Discogs