Collected: Vol 5

This edition is a little harder given I’ve recently just completed my Reflection on 2024 mix with over 40 tracks and artists I’ve enjoyed this year. So with that in mind, I’m digging into some non-2024 stuff I’ve picked up on Bandcamp recently.

Akra - Pure (Rising Sun Melancholia - Shield Cut)

After our label event at Public Records in early December, we headed upstairs to continue the night at a second space (one of 3 rooms at the venue), where the DJ was sat in front of another lovely Devon Ojas system, comfy on a couch, spinning a bunch of classic house and 10’s. Most of it was built for the Friday night crowd- funky and danceable - but at one point, this absolute beast of a sub-bass cut through, and then a soaring atmospheric string line. My old ass started to move. I walked away not knowing what it was, but got a short 5-second video to go from. After sending it to the DJ on Instagram asking for a track ID - and after a bit of back and forth - it was finally revealed.

Funny, as my friend Hadi mentioned on my Instagram video when trying to ID the track “sounds like early Rising Sun”…. I responded… yeah it does, but I doubt it… it was a 10” and in the middle of a lot of older Chicago house-sounding stuff..

I was very glad to be in the wrong. Big love to Isaiah Collier, who was spinning this tune and did what any great DJ should do, and helped track down that track ID!

Christian Kleine - Relic Memories

As I prep another host of music from Christian Kleine’s prime era to be released on the label soon, he quietly dropped this bunch of nostalgia over on Bandcamp. As confirmed with a few other die-hard CK lovers, this is straight from the era that made many fall in love with his unique sound (and I'm kind of annoyed he didn’t send it my way first tbh ha). I have some more gems of his to come very soon, though, so don’t worry.

Jako Jako - Metamorphose

It’s the track Amygdala that blew me away from this album. Enough arps, enough analogue, enough euphoria for a perfectly sweet slice of electronics. It’s like Hania Rani’s classical sensibilities transported into a full analog system.

Citizen Maze - Northern Angelique

I have been well aware of Analog Attic Recordings for a long time now, of course through my relationship with ASIP artist Alex Albrecht. But, it often takes a while to make it through all of the releases. But after recently adding the Analog Attic catalog into rotation on 9128.live, I found myself deep in Citizen Maze’s releases - lost in some warm, dubby, trancey euphoric world. That’s a very rudimentary way to describe this music - but I’m only here to point you in the right direction, and not ruin it any more for you…

This might be the last we hear from the Citizen Maze alias, though, which is disappointing… a recent Soundcloud set text mentioned, “This mix might be the last of my mixes under Citizen Maze as I'm slowly working towards establishing my new alias and it's sound”…

Aspetuck - Early Color

As you may have already figured out, we are gearing up for a 2025 release with Aspetuck. Based in New York, Griff recently played at our Public Records label showcase, and is also a regular artist on South Korean techno label, Oslated, with several releases to date and a new album coming in the new year.

In addition to this, Griff also runs his own label alongside the Delayed crew, called Never Late. Early Color, the label’s first release, sets a very clear intention of sound and style that’s subsequently been followed by two more great releases by Mjulev and Tensen Park (also recommended).

A truly relaxing jaunt through various styles, soundtracking the brim of a beautiful horizon.

Find these albums and many more over on my Bandcamp Collection.

ASIP - Reflection on 2024

As with all my previous ‘Reflection’ year-end mixes, I begin with a collection of albums, EPs, and compilations that resonated with me over the past year. From there, I curate tracks to build the mix—a process that’s as much about omission as inclusion. Inevitably, many of my favorite tracks and albums don’t make the final cut, simply because they don’t fit the flow of the mix or get lost along the way. There are plenty of albums I played on repeat that aren’t included here, but I enjoy this process much more than creating lists.

As I remind myself each year, this isn’t meant to be a definitive “best-of” list. Instead, it’s a snapshot of some of my favorite music from the year, distilled into one cohesive and listenable format. Compiling these mixes under self-imposed restrictions is my way of revisiting and celebrating the music I’ve loved critically, while sharing it with you in a way that’s both meaningful and accessible. For me, listening back to these mixes is like flipping through an audio photograph, capturing the essence of my year in music and invoking memories from special moments.

I encourage you to use this mix as a jumping-off point—dive into each artist, explore their albums in full, and check out the labels behind the music. You can find a Buy Music Club list linked below to help you dig deeper. If you’re curious about the broader scope of music I’ve supported this year, my Bandcamp collection is always up to date. And for the ASIP year-end label compilation, you can find the feature and mix here.

~

Starting this year’s mix was no easy task. It’s been a whirlwind of a year, with my family relocating from Los Angeles back to Oregon. For a significant stretch, my ideal listening setup was in flux, and I wasn’t commuting to work as much—two key times I’d normally dive deep into the music I’d collected.

That said, I still managed to accumulate a fair share of vinyl this year (probably too much), so that became my starting point. I began shortlisting from my unsorted crate—my go-to spot for new acquisitions—despite knowing the mix would eventually be recorded digitally I always intend on ripping some vinyl-only releases. Since most of my purchases are through Bandcamp, I typically have digital files ready to go, but there are still a few frustrating cases where I’ve had to double-dip and buy the digital files separately (labels, let’s get those Bandcamp download codes in vinyl sleeves—it’s almost 2025!).

This year’s shortlist started with over 80 artists/tracks from albums I’ve loved, which I eventually narrowed down to 40 for the final mix. It’s a good representation of what’s been on heavy rotation for me. As always, I stuck to my usual self-imposed rule of no ASIP artist related tracks. I’d easily fill an entire mix with their music if that rule weren’t in place (also that’s what 9128.live is good for). I like to take this time to highlight other incredible, often overlooked releases that haven’t made the rounds in our circles, or through the usual “best of” lists.

I intended to rip some of my vinyl-only releases for this mix as a few really stood out this year, but time wasn’t on my side, and no digital was available. On the bright side, nearly all the music included here is readily available on Bandcamp for you to support.

A few callouts as you skim through the tracklist.

The latest Röyksopp album leans heavily into ambient tropes, but it’s undeniably comforting—a continuous flow reminiscent of the classic Art of Chill mixes, blending atmospheric textures with accessible pop crossovers. It nails that sweet spot, and I’m not one to turn my nose up at that.

Isabel Pine, whose demo first landed in my inbox some time ago, continues to impress—her latest release is an absolute gem. Aja’s ‘Lullaby’ is pure sweetness, so addictive I often found myself hitting repeat. C.K. didn’t drop any new ambient projects this year, but he did finally upload his phenomenal catalog to Bandcamp The track I included serves from his only 2024 release as an ambient counterpart to his more techno-focused album from this year.

Music From Memory’s Virtual Dreams compilation was a highlight for me—every track on it felt like a guaranteed vibe, no matter the mood (#1 on my HHV list). Casino Versus Japan’s comeback might just be his finest work yet, even if it hasn’t made it onto other lists out there. Its stripped-back, raw quality made it a challenge to incorporate into this mix without it becoming the centerpiece.

Minotaur Shock was a standout discovery in 2024, offering a blend of IDM-infused drum-oriented sounds. This track, in particular, is one of his most melodic. Another new find was Civilistjävel!, courtesy of Juan (OKRAA), who introduced me to the record while we were record shopping in New York. Florian T M Zeisig made waves with a ’90s-inspired album, consistently impressing with his inventive approaches (and even debuting a new alias).

nthng remains a regular on my year-end mixes, and deservedly so. My favorite track of his this year was ‘Echo Track,’ though it didn’t quite fit into this mix. Synkro returned as Ovïd with a mesmerizing slice of gaseous dub-techno—I even let it run long to max out its hypnotic qualities in the mix. Brian Grainger and his aliases are extremely productive, so it’s hard to cut through sometimes, but I always gravitate to his Coppice Halifax output.

Vril delivered an audio-sensory onslaught with his new album. While my favorite track didn’t make this mix, the entire release is excellent. I bent one of my own rules by including two tracks from Daniel[i]—a testament to the quality of that record. Rising Sun also deserves a mention. Even though his uploads this year were from his back catalog, the music is as timeless as ever (and I have a special memory of hearing this amazing track at Public Records, cementing a solid 2024 core memory).

Solar Alliance saw me bending another rule, as this is technically from the Ute collective but for anyone into '90s-style trance and downtempo- not to be missed. Xylitol, another new artist on my radar, delivered a release perfectly aligned with its Planet Mu home—think Aphex-inspired IDM with breaks and bass. Metamatics took an unexpected turn, dropping a drum’n’bass album with a '90s vibe featuring vocal samples from the emotional worlds normally assigned to DJ Healer or Rising Sun.

Finally, the closer comes from Mortal—a 1997 gem I only discovered in 2024. Though technically from December 2023, it missed last year's mix and felt like the perfect way to wrap up this year’s edition.

astrangelyisolatedplace · ASIP - Reflection on 2024

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Tracklist:

01. Chihei Hatakeyama - Insects Chirping At Night (Field Recs)
02. CHANTSSSS - Lose My (Theory Therapy)
03. Endless Trains & Taennya - Lifeless Place (Archives)
04. Röyksopp (Feat. Alison Goldfrapp) - We Enter (Self Released)
05. Merely & Malibu - outlanders intro (Year 0001)
06. anthéne - Crimson (Floralia Editions)
07. Isabel Pine - Silhouettes (Where The Flowers Grow)
08. Old Amica - Klorofyll (Self Released)
09. Aja - Absolune (Grand Musique Management)
10. Winter Silhouette - Solidarity (Peak)
11. C.K - We Share The Skies (Private Recording System)
12. Dub Squad - Blown Fruit (Music From Memory)
13. Shokunin - Darlands (Bonse1)
14. Li Yilei - Yip, Yip, Yip (Métron Records)
15. Voyage Futur - Marina Botany (Vill4in)
16. Casino Versus Japan - Licht (Self Released)
17. Minotaur Shock - With Me? (Bytes)
18. Civilistjävel! - XII (Felt)
19. Ear To Ear - Live Recordings D (Astral Industries)
20. Strategy - Numeros (Community Library)
21. Florian T M Zeisig - Wave Guide (Stroom)
22. nthng - Dont Be Scared (Self Released)
23. Brendon Moeller - Pressure (Quiet Details)
24. Lb Honne - Musium (Project Indigo)
25. Priori ft. Sabola - Learn To Fly (Naff Recordings)
26. Ovïd - Dream Sequence (Fauxpas Musik)
27. Coppice Halifax - Ceremonial (Milieu Music)
28. pondlicker - orchid media (Naff Recordings)
29. Daniel[i] - Jobkas Dom (Muzan Editions)
30. Vril - Pneuma (Omnidisc)
31. Low End Activist - Airdrop 02 (Yarnton Rd 2 Cassington) (Peak Oil)
32. Daniel[i] - Dom Amb (Muzan Editions)
33. Wardown - 5 It Is The Mercy (Blu Mar Ten)
34. Rising Sun - The Ascend (Original) (Self Released)
35. Vera Logdanidi - Euphoria (Semantica)
36. Donato Dozzy - Lucrezia (Spazio Disponibile)
37. Solar Alliance - Tri-Mind (Self Released)
38. Xylitol - Monte Mare (Planet Mu)
39. Metamatics - A Second Chance Is Rare (Self Released)
40. Mortal - Minus One (Sunny Crypt)

Buy Music Club List

2024 Label Compilation (mixed by todos)

Handing over a year’s worth of releases to todos and watching the magic unfold is always an exhilarating experience. His ability to craft a narrative from such a rich and varied palette is unparalleled, offering fresh insights into the music and the year behind us. A true specialist in narrative witchcraft, todos continues to redefine DJ mixes with such a limited palette to build from. This year’s selection posed an increasingly complex challenge, with its mix of tempos and styles, but it’s a testament to the incredible work of the ASIP artists in 2024, all tied together under the meticulous eye of our trusted selector.

The year began with new label signing Salvatore Mercatante, and his pin-point drum patterns and room-filled IDM. This was followed by an about-turn in style with a new label signing, Lihla, presenting her hypnotizing blend of spoken word and atmospheric multi-instrument talent. Lapsed Pacifist (who happens to be a good friend of todos' in the UK - another full circle moment for the label) presented his debut album, featuring 'rolling waves of lavender synths', which Pop Matters recently listed as one of its best ambient albums of 2024. Keeping things unexpected, we then presented another new artist, Theef, who released a selection of timeless deep techno cuts from a DJ mix he posted online in 2018. It was then a chance for one of ASIPs most cherished sounds to return, as Illuvia continued his monumental exploration into the deep expanse of ethereal ambient drum'n bass. By now, we were approaching the much-celebrated half-century catalog number, and who better than long-time label artist, Markus Guentner to bring it over the line, alongside eight other fantastic talents. Colombian producer OKRAA, evolved his living-and-breathing psychedelic electronics, introducing more breaks and electro to his palette, in a truly unexpected second album. And closing out the year, Hungarian artist swanasa, presented a taster of her sonic capabilities in a short EP, that shone a light on multiple approaches we hope to explore from her very soon.

Thank you for all of your support, comments, and encouragement this year. Here's to those who explore the unique, the nostalgic and the new, and those who forge their own way forward.

Download on Bandcamp

Join us on Friday 20th December, 12pm PST for the full mix premiere and Bandcamp listening party.

todos Continuous DJ mix tracklist:

1. swanasa - Swan Song (edit)
2. Lihla - Resonance
3. Markus Guentner - Father Of Waters
4. Lapsed Pacifist - Tragic
5. Markus Guentner & Arovane - Utopian Fragments (edit) / Illuvia - A New Tomorrow (edit) / swanasa - AHO / Lihla - Becoming Human (edit)
6. OKRAA - La Gran Corriente
7. Salvatore Mercatante - Love Of Lies
8. Illuvia - Tectonic Shift
9. Markus Guentner & Abul Mogard - While Hunting Nightmares And Dreaming For Peace
10. Theef - Strange Nights
11. Salvatore Mercatante - How Many Hands
12. OKRAA - Para Desaprender (edit)
13. Theef - Odd Entity
14. Lapsed Pacifist - Almost Remembered

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Digging in New York: Five of New York and Brooklyn's best record stores

Hitting record stores while in New York is a must. Despite heading there a few times over the years, I've always had a crammed agenda with “work”, so I never really had the time to do some proper digging. This time around, I was so focused on our event at Public Records, and digging took a bit of a back seat again. I ended up nearly missing my flight home by cramming in as many stores as possible up to the last minute. And with that rush, I didn't really have the time to take nice photos (some stores don't even allow it) or make this a much richer article, similar to my dives into Tokyo and Osaka record stores.

But, given the overwhelming choice of record stores in this city, it's worth me compiling this list for anyone going for the first time, especially if you're into the same music as you find here (and maybe I can continue to update it after another trip).

I would have loved something like this before planning my weekend... So, here's a hit list of stores I managed to hit and come recommended if you’re looking for records on the more ambient and electronic spectrum (rock, punk, jazz and hip-hop, etc can also be found at some of these stores).

Octopus Records

Octopus Records

This store is a bit of a trek if you're staying anywhere downtown or Manhattan, but if you're Brooklyn side, it's not too bad. Beginning as a Discogs seller and evolving into a physical location, Octopus is the most closely aligned to my kind of music, with a superb curation of ambient, downtempo, and all things in between. It had an ASIP label section at one point, but speaking to the owner now, the stock has been cut back lately (and I hope to fix that!) This is a quintessential neighborhood record store, with a knowledgeable, approachable owner, cats enjoying the space, and a warm vibe that makes you want to spend all day digging (then hit a nice Taco joint around the corner - let me know if you need the tip).

I could have purchased a lot more from this store, but it was my first hit, so I was trying to keep some cash in the bank. I managed to pick up this album from my Wantlist by Uf0, which I have yet to see in the flesh, and with no copies available in the US on Discogs, it was a nice little find to kick things off.

Ergot Records with a used copy of one of our early releases - ASIPV003.

Ergot Records

I was staying in Brooklyn, and I wasn't sure if I would get into Manhattan, but I'm glad I did. We showed up at opening time on Sunday, but no one was there after 15 minutes. Burger at 'Hamburger America' it was then just a short walk down the road [damn, it's a good Smashburger].

Heading back to Ergot after a near heart attack, the store had now opened, and as soon as I walked in, a section dedicated to "Future Dance" focused my attention. After browsing a solid chunk, I could sense the store's curation intention, with music from the likes of Brian Leeds and his Loidis album, Djrum, Ali Berger, and many others in today's world of artists blurring the edges of dance music, techno, ambient and IDM. This section also featured artists and labels who call New York home, so it made sense that Ergot would cater to this crowd. In addition, Ergot continued to draw on similar styles throughout its racks, with the likes of minimal techno, experimental, disco, drum and bass, and many more sections in the electronic world to get busy in.

The guy working the desk was spinning the new album by SnPLO, a lovely 3X12"of Chain Reaction-esque techno, so I had to pick that up, along with an original used Peter Michael Hamel LP of his infamous Berlin-School trip, Colors of Time, some lovely brooding ambient by Civilistjavel (thanks for the tip Juan!). And lastly, the third Tranquilizer EP by Terre Thaemlitz - highly sought after before a recent repress.

A1 - Records

An institution, no doubt, so a visit was a must. I knew it would be heavy on hip-hop given its history and what I’ve seen in the press before, but I was there for the house music if anything. At this point, my time was running out, and I only managed to go through the top bins, leaving the knee-breaking bottom rows for next time. As you would expect from a record store that has been around since 1996, the choice was deep and extensive. With speed of the essence now and my flight approaching, my eyes went to the wall, where record stores would normally place their most expensive records, but in this case, records that don't otherwise fit in any of the existing genre racks, maybe? An early Blu Mar Ten record - a classic that is hard to find in the US with only one on Discogs right now at over $250... purchased for just $40.

Upon checkout, the cashier asked what it was - apparently, the owner had brought it into the shop recently from his own collection, and the cashier had meant to give it a spin. So he stuck it on the turntable, gave me an approving nod, and then said he would be finding it on Spotify. Wait, what? Don’t you work in a record store? My loaded question was met with a resounding NY response - "Are you aware how small NYC apartments are? I can only take home so many records!".

Fair.

Stranded Records

Stranded Records

Probably one for the calm aesthetics rather than my music choice, but this nice sub-street level spot was a nice vibe to look through, despite not finding anything of substance for my own taste. And being just around the corner from Ergot, it's worth a shot for anyone in the area. There is plenty of jazz, as well as more pop-oriented records, but anyone looking for something that straddles early experimental, synth, or similar might have some luck here, as the recent arrivals bins were a nice mix of early electronic records, and you know when you can just tell it’s the type of place to get a few gems every now and then?

ASIP artist OKRAA digging at Captured Records

Captured Records Shop

More of a classic ‘anyone can find something in here’ store, akin to the Amoeba Store’s on the opposite coast, it was probably the largest store out of the bunch I visited. This meant a healthy selection of all genres, but I was pleased to find sections for house and techno 12"s specifically, meaning a lovely variety from the cheesiest stuff of the 90’s to the more underground techno of late. Nothing really hit home, but I did find a nice DJ Food album for a friend who tries to snap up anything on Ninja Tune.

Razor N Tape

A bonus mention if you’re already in the nighborhood. Technically, it is a label-specific store, and this small space is run by the label namesake but also features some other select curations. I'm calling it out, as it's just around the corner from Captured Records, and owning a small label shop is a dream of mine. They also had some quality merch that I tried to get in my size, to no avail.

~

On my hitlist for next time:

Face Records - if it's as good as the Tokyo store [see here] then a must hit.

Archivio Records - appointment only, I didn't plan too well and missed any open spots.

What did I miss? Where else should I add for next time?

Brooklyn Record Exchange has two shops, full of world, abstract and proper digger territories.

A Strangely Isolated Place Label Showcase at Public Records - Photos from the night

We had an amazing night at Public Records, New York last Friday, as we held our first label showcase in a very long time. With OKRAA in town from the UK, and local artists Salvatore Mercatante and Aspetuck, it made sense for us to put some firepower behind this moment and bring them together for a special evening (and then also spend the weekend record shopping!).

Aspetuck opened the evening with his sublime meld of ambient-forward beats, debuting new material, including tracks from his upcoming ASIP album in 2025.

Salvatore Mercatante followed, and put the epic Devon Ojas 4-point surround system to the test through his chest-rumbling electronics and sharp hi-hats, taking music from his recent release ‘Ø’, plus plenty of unreleased material.

OKRAA closed the evening with a mixture of his amorphous ambient and big swells of drones, interspersed by his more electronic breaks and electro from his new album ‘La Gran Corriente’. By the end, the room was jacking, and Juan was pulling at our hearts as the closing track from his 1994 release, ‘Ola De Luz’, rounded out the evening in fine fashion.

A big thank you to everyone who came, said hello, and purchased some records. Visuals on the night were created by Salvatore for his own set, and Dead Society for OKRAA’s, with photography by Daniel Salemi.

See you at the next one.

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