Ameeva / Die Wellen (9128-4)

 

Out today on our sub-label 9128.live, an incredible live performance by Ameeva, which we had the pleasure of hosting last year during the 9128 anniversary takeover. Now available on digital and a limited edition cassette box with UV printed foil.

Born in Girona, Spain and based in Berlin since 2019, Alex Bussé Santacruz's Ameeva project previously came to life on the Lowless music label in 2020 and the album 'Fractura del Sueño'. His live set for the 9128 Birthday event took these experimental electronics to a deeper, more personal level, weaving friends' samples and conversations into a rich tapestry of drone and field recordings, creating an immersive and enveloping 40-minute narrative.

Available on Bandcamp, and Juno.

The 9128 label aims to document significant live performances by artists that previously performed on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for further listening across various formats that best suit each release.

 

Portals: Power Ambient

 

"Ambient as interesting as it is interesting"

The term Power Ambient is yes, another attempt at putting a badge or genre to a wide-encompassing range of music stylistically, but it’s one that I have often gravitated towards amongst many others when describing a particular style of music we are dealing with here.

When it comes to a spectrum of Ambient music styles, I’m more often than not on the ‘lean in’ side of things, than the ‘lean back’. It’s easy to throw up Brian Eno’s definition of Ambient music “…as ignorable as it is interesting” to help elaborate on what I mean, as essentially within a Power Ambient context, we are removing the desire to ignore it.

To put it another way, Power Ambient is best suited to those who want to immerse themselves in the music; the wall of sound; big movements; rumbling bass; wide frequencies, and layers of dense drones. These are elements that envelope a space in richness; be it soft and all-encompassing like a heavy blanket, or more on the noise spectrum, making your body rattle and the hairs on your neck stand-up on end. But the common output is that you're better off taking note of what's happening, than sticking it on in the background and making a cup of tea.

It’s not a new descriptive term. A 2014 Fact magazine article captured a few artists that seemed to be prevailing in this style, alongside a mix that Chris SSG loosely described as including Power Ambient (now Chris references his style as Big Room Ambient) and more. recently a Bandcamp list (although not sure all that stuff aligns with my own vision for it). There is no doubt in my mind, however, that a powerful style of Ambient music has exploded in recent years (as has the creativity of Ambient music in general, really). Perhaps this style has been more embraced due to a couple of things.

In dark times comes inherent anger and expression, and it’s pretty grim out there right now. For any music culture, this can often send people into darker production spaces. Secondly, I can feel an emerging undercurrent of rebellion for what ‘Ambient’ can stand for nowadays. With a world of meditative apps and ‘Piano Chill’ playlists continuing to give Ambient music a certain reputation, (at least we have moved on from Spa music, right?), I have a feeling this stereotyping is pushing producers, and even listeners to explore new styles of Ambient music, and opening doors into more expressive forms of music that stand out against an all too frequent beige playlist.

Don't get me wrong, this doesn't mean that Power Ambient is just noise and complexity for the sake of it (it can be) but like all music, there's an art to getting the balance right. For me, Power Ambient can range from relatively quiet, intense soundscapes with a mysterious underpinning, to just short of full-on Merzbow wall-shaking. Call it a version of Noise, Drone, Experimental, whatever, but wrapped in a different guise, it’s still bearable as Ambient music but stops short of becoming too much.

I wanted to highlight just a few of my favorite artists whose broad strokes defined ‘Ambient’ music, has always made me sit up and listen. As with all Portals features, I try to focus on a mix to bring the idea to life and a jump-off/entry point for the artists included. This was harder to mix than a regular DJ set, because of the inherent energy of Power Ambient music. Used consistently in a mix, at some point you're going to get burnt out and it will start to fade into the background just like listening to white noise. In my experience, Ambient tracks with force or energy are best used interspersed in sets to make people lean in and grab their attention, or as part of other styles to continue a certain level of energy (I’ve heard this type of music as an interlude in more heavy beat-driven sets for example). It can also work great as a live show where the listener knows what they are getting into already, of course (earplugs at the ready).

As a 1hr+ mix, I, therefore, had to be considerate of the energy and flow and tried to create a few distinct chapters with peaks and troughs and an easy onramp at the beginning.

I encourage you to use the links below to jump off into each artist’s universe on Bandcamp. Despite it being a relatively well-known list of musicians when it comes to the Ambient enthusiasts, I’ve tried to give a good snapshot of artists that might push into this style within some of their works, especially if any of this music is new to you.

RIP to two influential producers included in this mix, Cesar (Mount Shrine) and one of the greatest noise/experimental artists of our time, Mika Vainio.

Listen on Soundcloud, Mixcloud, Youtube (below), Spotify or the ASIP Podcast.

Download MP3

Tracklist:

01. James Murray - Second Sight (Home Normal)
02. Ameeva - Die Wellen (9128.live)
03. Faru - Mirror of Consciousness (Self released)
04. Sciama - Subsumed (Auxiliary)
05. Joachim Spieth - Akasha (Affin)
06. Abul Mogard - Against a White Cloud (Self released)
07. Leandro Fresco & Rafael Anton Irisarri - Baja dos Singlos (A Strangely Isolated Place)
08. Mount Shrine - Foggy Deck (Cryo Chamber)
09. Araceae - Gleaming Embers (Faint Music)
10. Markus Guentner - Cavus (A Strangely Isolated Place)
11. r beny - vestigial (Self released)
12. Caterina Barbieri - TCCTF (Important Records)
13. Christina Giannone - Realms II (Past Inside The Present)
14. Christina Vantzou - Glissando for Bodies and Machines in Space (Kranky)
15. Pechblende - Shackles of Time (Auxiliary)
16. Tim Hecker - Hatred of Music II (Kranky)
17. Bana Hafar - Intersecting Voids (Self released)
18. FRKTL - Scene I: Terra Nullius (Self released)
19. KMRU & Aho Ssan - Resurgence (Edit) (Subtext Recordings)
20. Mika Vainio - Kytkenta (Connection) (Touch)
21. Rafael Anton Irisarri - Arduous Clarity (Dais)
22. Mika Vainio - Unessa (Sleep) (Touch)

Also….

 

ASIP on Rinse France - Ed Isar invite A Strangely Isolated Place

 

A big thanks to Ed Isar for inviting me to contribute a mix to his Rinse FM show. Ed is behind the Musique Pour La Danse label (recently reissuing Coil and rEAGENZ albums amongst others), as well as the brilliant Tursiops label.

Below is the text sent along to accompany the show and introduce the rough idea behind it.

I'm a father to two young boys, so finding time to dedicate to a vinyl mix is tough, but I found myself inspired to get behind the decks late one evening and see what would happen. My only intention was that I wanted to include a couple of upcoming releases (test presses) from the label somehow but they are almost the outliers in the set style-wise., so I had to work around them a little. It ended up quite dark, very deep, and pitch-bent, with a few good crackles for good measure and moments I am sure people will be familiar with.

Listen to the mix below or on Soundcloud, with Ed taking the reigns for the first half and some lovely vibes to set up my darker piece!

Tracklist:

01. Enkai Ohakosh - Unknown
02. Avont - Non-Brio Interlude [Residence Records] (2021)
03. Off And Gone - Uncle Mike’s Beard [Isla] (1994)
04. Unreleased (A Strangely Isolated Place)
05. 3.11 - Reduktion [PRS] (2021)
06. J.S Zeiter - Untitled [Expanding Vision] (2022)
07. Flying Fish Ambience - Monuments in Easter Island [Hospital Productions] (2021)
08. Joachim Spieth - Hyde [Affin] (2021)
09. Muziekkamer – Op Zee [Stroom] (2021)
10. Anatolian Weapons – An Afterthought [Dispari] (2021)
11. Tomas Jirku - Entropy8 [Silent Season] (2020)
12. The KLF - Last Train To Trancentral (Mu D. Vari-Speed Version) [Arista] (1991)
13. Being - Space Again [Firecracker Recordings] (2021)
14. James Bernard - UW07 (A Strangely Isolated Place) (2021)
15. Unreleased (A Strangely Isolated Place)

 

Gadi Sassoon - Solido Platonico (Hania Rani Buka Arpeggio Study) [Free download]

 

A little extra treat to celebrate the recent release of Gadi Sassoon’s Chaos & Order EP.

After being featured in a few mixes and Gadi’s own sets, we’re pleased to present a study of Hania Rani’s astounding track, Buka which Gadi recently created after obsessing over the piece, recomposing it from scratch in his own unique style.

Along with a free download of the track available on Soundcloud (and a link to the .wav), Gadi has also made the Max for Live plugin he created to produce the track, available as a free download (also here on dropbox).

“A few months back I was studying different arpeggiation styles with my friend Italian producer MACE, and we listened obsessively to Hania Rani’s incredible piece Buka; from there I decided to dive deep into this particularly amazing phrase she has in that piece, and to explore all the ways I could transform it by playing it with synths and resequencing it by using a gridless arpeggiator I made in Max for Live.” - Gadi Sassoon

Please support Hania’s music and the album Home, (it’s an essential album!)

 

Gadi Sassoon / Chaos & Order (ASIPV037)

 
 

I’m very excited to welcome Gadi Sassoon back to the label with his second release and the Chaos & Order EP. Following his well-received debut album, Multiverse, Gadi has continued in experimental world-building by creating an immersive record that comes to life in various different ways.

Based on three tracks original created for an immersive Quadraphonic system, the release not only features stunning remixes by Olga Wojciechowska, Max Würden and FRKTL, but is accompanied by separate Binaural versions, Atmos versions, and a super-limited 2LP lathe cut featuring the Quadraphonic splits, enabling a custom playback experience for those lucky to snap one up. Not to mention a beautiful print of the artwork by Noah M / Keep Adding.

Head over to the release page for all the details.