Now available: Comit / An Ocean Of Thoughts

After the success of 2019’s Remote Viewing, I was keen to see James Clements going with his newly established Comit alias, so it was a pleasant surprise when he turned around a very quick successor to his debut album. It may have taken a few years to come to life (as most vinyl releases do) but I’m excited to present another beautiful slice of IDM and early 00’s electronica-inspired music from James, titled An Ocean Of Thoughts.

I’m also pleased to see Nick Brzostowski back on artwork duties. As our first artist we worked with on an ASIP vinyl and a life-long friend, it was only a matter of time before Nick returned with his beautiful, intricate textures, which we first witnessed with Europe, and Markus Guentner’s Theia.

View the release page to listen to Comit’s, An Ocean of Thoughts and all links to buy, available as a Gatefold 2LP and digital, mastered by Rafael Anton Irisarri.

isolatedmix 110 - Marius Bø (Ute.Rec)

It’s no secret I’m a Trance music fan. We could debate forever, what, when or why Trance was good, but for me, it was one of my many gateways into ambient music growing up. Be it via Pete Namlook, proggy mix CDs, or 90’s pioneers such as B12 and Global Communication, where many began to blur the divide; there’s an unwritten relationship between the two genres which is hard to actually pin down. Maybe one day I will do due diligence and try and trace this connection a bit closer, but until then, I am busy unearthing the brilliant sounds emitting from UTE.REC - a label collective from Norway that manages to bridge the divide between expansive, meandering Ambient Trance, and full-on (what I may consider, proper) Trance music.

For our next isolatedmix, I invited UTE.REC and one of the founders, Marius Bø to prepare a mix that reflected the label and of course, Marius’ own personal identity as it relates to the collective. Evidently, and as many ASIP label followers may soon find out (hint!) the collective is sitting on a treasure-trove of music as their inspiration and productivity hits new highs, and alongside some classic cuts from Global Communication, James Bernard, Pete Namlook and Gas, we’re treated to a wealth of unreleased/upcoming music from UTE related artists…

I sent a few questions Mario’s way to get a bit more detail on the label and inspiration.

Can you tell us a bit about UTE, how it came about and the sub-labels?

We are a group of friends where some of us grew up together, and some of us went to high school together. We started out hosting forest raves in Oslo, which later grew into club nights, and now we also do a small intimate festival. A couple of years ago we started Ute.Rec. We had a lot of music we wanted to release, and we felt it made sense if we did it ourselves on our own platform. Starting up the sub-labels came to our minds later, when we felt that we wanted to release more music that couldn't fit or come through on Ute.Rec. The releases are more short-term, and from in-house artists. We all love the whole spectrum of trance, ranging from goa trance to hard Trance, to ambient trance, so having different imprints where we release all these kinds makes sense to us. Sinensis is an ambient plattform where we release CDs. Every release consists of a one, hour-long ambient track to really get you to trance away. The hour-long tracks are paired with a clubbier B-side, but in the psychedelic and dreamy vibe as well. Translusid on the other hand is a digital platform where we do releases with a lot of collabs and aliases. This is a platform with more room for the artist to experiment and do things they don't always do.

The labels are run by Teo Bachs, Filip Storsveen (Oprofessionell) and myself. In the Ute crew as whole there are also Mikkel Rev, Haider and Carl Fuck and Marilao.

What was your introduction to Trance music?

For my musical development Filter Musikk in Oslo has played a big role. Run by the local legend Roland Lifjell. Digging in the second-hand boxes in the back of his store really introduced me to the 90s trance and techno. Ranging from techno, hard trance, progressive and goa trance. Roland Lifjell was a trance DJ back in the 90s with a huge collection, and he regularly put parts of it out in the store for us trance heads to hunt. Sharing and playing music with the Ute guys is also very inspiring and educating.

Trance definitely seems to be a trendy genre for some people nowadays with many techno DJs diving into the classics. Do you think Trance gets an unfair rap nowadays?

There are definitely some not-so-good takes on the term “trance music”. But having people digging and educating themselves in trance is of course good. I understand that people seem to have some bad connotations if they only associate it with the Millenium trance era or superstar DJs dropping trance classics. The millennium era was a period with a huge lack of creativity and the music became super generic. There still are some takes on trance that have these similarities, but there will always be good and bad music of every genre I think... But for me, trance can be a kind of music filled with unique emotions, innovation and creativity instead of formula-based music for the masses.

Your label releases range from ambient to hard-trance across the 3 sublabels - is there a particular criteria you try to stick to?

I wouldn't say that there's a specific criteria when seeking out tracks and releases, more of a feeling and mood. It's not so easy to put our finger on what we are looking for. We all have quite the same taste of music, so we tend to collectively know it when we hear it. When our artists are sending us tracks for releases, it often can be harder choosing which tracks to exclude rather than choosing which ones to include. With that said, we are trying to keep consistency in our releases as well as diversity.

How would you describe the Trance scene today? And specifically in Norway?

The Trance scene in Norway is absolutely growing, but not something big. The club scene, pre-pandemic, was mostly dominated by deep house and tech-house. But the scene is in progress, not just trance, but other cool genres as well, with acts like OT2, Suvatne, Snorre Magnar Solberg and Fakethias. Pre-pandemic, the bookers became more and more open-minded, opening up for a broader and better club scene. Across the Norwegian borders, the Trance scene is absolutely growing, and the Scandinavian scene as a whole is blooming. With Copenhagen and Malmø doing great things, and all over the world there are collectives doing great things in Europe, Asia and Australia.

Where else would you point people to who are looking for similar music as what they might find on UTE?

Malmø and Copenhagen as mentioned. The Copenhagen labels Amniote, VALIS, Bunkerbauer, Kengu and Kulør, and the Malmø labels Morph and Bodycount are all putting out so much great music. We actually have a fundraiser co-release with Mama Snake’s Amniote coming really soon, filled with trance, ambient and techno.

DJ wise there are acts like Lund&Rønde, Lasse Vind, Mama Snake, Ibon, DJ Tool, Ezy, Peachlyfe, Araknyl, Omniself and Courtesy really pushing it and doing great things, all of them involved in the labels above. In Malmø there is a faster and harder take on trance. They are all so skillful and the tracks are super well-produced, with so many great DJs. There is also a very exciting scene in Hague doing more experimental, tribal and psychedelic trance, with artists like Spekki Webu, Woody92 and Jeans. They have a very unique approach that I really love. And finally, the legend Alpha Tracks, who was really one of the first producers sparking trance back to life some years ago. One of the best out there...

And looking back, who is the king/queen of Trance music in your opinion?

Haha, difficult question. It's impossible to pick out only one. But some of the artists from the early days that have influenced me a lot are Ollie Olsen, Robert Leiner, Ramin (RIP) and Pete Namlook. They all had a huge and wide output, releasing under so many different, great aliases. Just an adventure going through their catalogues... Goa trance legends like Orichalcum, The Infinity Project, Technossomy and Blue Planet Corporation are also top-tier legends for me.

And lastly, your isolatedmix, what inspired it?

The original photo (which is beautifully re-worked by Woody92) is from one of our forest parties a couple of years ago. Deep in the woods of Oslo, at the end of a long and intense party, after a beautiful sunrise. I wanted to capture a little bit of that energy into this mix. Optimism and happiness for the summer and the brighter times to come. The mix starts calmly, slowly and mystically, and ends more euphorically. For me it's a perfect listen for these beautiful spring days.

Listen on Soundcloud, Mixcloud, or the ASIP Podcast.

astrangelyisolatedplace · isolatedmix 110 - Marius Bø

Download

Tracklist:

01. Mikkel Rev - Unreleased
02. Suso Saiz - Dulce
03. DJ Ibon - Sorgpad
04. Mikkel Rev - Unreleased
05. Gas - Microscopic
06. Joey Beltram - Across The Hemisphere
07. 2030 - Intermissions
08. Alpha Tracks - L'amore Innocente
09. Ra - Light Receiver
10. Mikkel Rev - Unreleased
11. Global Communication - 5:23
12. James Bernard - Lost In It
13. Eliza Michel - Eli's Exodus
14. Oprofessionell - Unreleased
15. Naone & S.O.N.S - Separate Ways
16. Mikkel Rev - Unreleased
17. Omformer - Unreleased
18. Mikkel Rev - Unreleased
19. Pete Namlook - Subharmonic Interference (Excerpt From Namlook VII)
20. Mikkel Rev - Unreleased

UTE.REC | Discogs | Bandcamp | Soundcloud (Marius) | Soundcloud UTE

9128.live takeover: EN PAUSA Festival

On Sunday April 18th, musicians from every corner of the globe will come together to play a 12-hour program broadcast on 9128.live.

Curated by a_mal_gam_a from the CALMA Madrid collective, our latest 9128.live takeover will feature twelve uninterrupted hours of DJ-sets and performances by Alex Albrecht, Ario, Chris SSG, Federico Duránd, Gigi FM, Karim, Klara Vedis and Patricia Wolf and live performances by Jo Johnson & Hilary Robinson.

And I will also be spinning a set for 90 minutes!

More info + schedule

isolatedmix 109 - Andy Green / Verdant Recordings

Back when I used to post a lot more mixes here on ASIP, Andy Green and his Verdant Recordings alias was featured quite a few times on the site. It’s a reminder of the magical small worlds we operated in as we stumbled across similar Soundcloud profiles or even personal websites with nothing but MP3 links and text docs with tracklists. It seems like a minefield nowadays to hunt down something special - so much choice - in both good and bad ways. So seeing Andy contribute to the isolatedmix series all these years later and being able to follow his progress with the Verdant Recordings label is a nice reminder of the early years.

Andy seems to have organically progressed through the years in a similar path to me, in fact. From a pure-music fan to compiling mixes across a variety of styles and now, curating a label, Andy’s always been in and amongst our small world and it’s a delight to finally invite him here to curate an isolatedmix.

Hi Andy. It looks like you've been running Verdant Recordings for about five years now. I notice you state that the label is unconstrained by genre, which is something I admire and try to uphold with ASIP too. What filters do you apply when looking for a label release?

Yes, it’s nearly 5 years and only 10 records released so I am rather selective and the projects take shape very slowly. I’m essentially trying to build a catalog that reflects my own evolving and diverse tastes by reaching out to established producers I really admire or new producers whose talents need a place to be heard. It is personally enriching to have had a handful of previously unreleased artists being heard for the 1st time via the label. The next record will feature the wonderful Jo Johnson as part of an ambient double 12. Our collaboration was first discussed at the inception of the label back in 2016 and in some respects, the music she has composed has benefitted from the time taken since then. The project's working title is ‘Less Popular Than Cats’ and also includes Reedale Rise, Outlier and !nterject!on…... if enough folk are keen to own a copy it should be available by the summer.

As a fellow label-head, what do you find most challenging about running a label?

I find promoting a mystery and difficult and it’s not in my nature to push the label on social media (which seems to be essential for smaller labels in current times). I also struggle telling people that I’m not able to release some of the wonderful music they are generous enough to send me….. and especially if they are somebody I know.

You're based in the UK so how do you see Brexit impacting your label operations? If at all?

I’m running the label purely for my own pleasure and quite a rubbish label manager when it comes to the business side. Brexit is a total shit-show and I’m (not) dealing with it by moaning and sticking my head in the sand. I see the impact now principally through the eyes of a collector, noticing that record prices from Europe have increased by 25% in recent months and shipping has become ridiculously expensive with an extra dose of extortion to add salt to the wound. I know that I cannot collect as much music now, so I fear sales will decline for everyone… I hear from vinyl die-hards that they’ll be buying digital music in the future.

You recently released 'Changing Seasons' on your Vertex label Project which I managed to pick up over here in the US and it features an ASC ‘Grey Area’ remix which sounds very much like his Comit output. I didn’t know the track was on there at the time, until I asked the store to give it a spin whilst I was browsing, and then shouted "hey this sounds like Comit?!" How did you go about choosing remixes for this project?

Jamie (Exalt) and I really are very proud of this Vertex project and it’s been a pleasure getting to know and work with Jonas over the last couple of years. The original was ostensibly a dub techno album but aimed at home listening and so the remix project was our attempt to toughen up some tracks but avoid doing straight-up dub techno remixes. We discussed remixers and between us reached out to some admired and favorite producers. I’ve probably collected more records of James (ASC) than anyone else in recent times so I was thrilled to secure his talents and that remix IS sublime. Similarly, having Mike Schommer onboard fulfilled another ambition. It's only just to acknowledge GRIT’s chunky take and of course, Bjarnar’s (Ohm) charming ‘Morning Glory’ who is a long-standing friend of Jonas and chuffed to say of mine now too. Coming back to the ASC remix there’s a good back story about the composition. The closing ambient section wasn't there initially and I had the nerve to ask James to develop what was a great remix already. It turns out he’d already had the identical idea and so the longer track became the remix he really wanted to make for us from the start and the one I really wanted to hear. He's also mentioned to us that it’s one his favorite remixes he’s recorded in recent times.

I was posting your mixes on ASIP over 10 years ago now (many are archived on the old site, unfortunately) but you've obviously been compiling mixes for a while, how did you get into it?

I was a very late starter when it came to mixing music though I have danced, listened and collected for over 3 decades now. My first few years of mixing were focused on ambient and experimental music simply because I assumed it was easier and the mix for you back then was actually one of the earlier podcasts requested. Nowadays, I record mostly beat-driven music but my passion for ambient music remains and it’s a treat to do this for ASIP again after the gap. For the record, I’ve since appreciated that a well-mixed ambient set is harder to achieve than boshing out a techno set.

Your mix, is therefore a suitably deep affair. Can you tell us a little bit more about what you had in mind putting it together?

The majority of my mixes are rather spontaneous and I don't tend to pour over track selections or plan them out too carefully (this shows!) ….. Usually I aim for a feeling and go from there and so they tend to reflect my current headspace. Like many of us over the last 12 months, I have experienced some darker days but also a few good times. I recorded this a few days after a rare day last October….(Jane Fitz' and Jade Seattle’s Day Moves actually) where I had caught up with some lovely friends for the 1st time in nearly 9 months. When it came to the mix I think I was trying to channel some of the residual glow but also contrast that with that some of the more introspective moods we have found ourselves in. Thanks again for giving me the chance to share this experience.

Listen on Soundcloud, Mixcloud, or the ASIP Podcast.

astrangelyisolatedplace · isolatedmix 109 - Andy Green / Verdant Recordings

Download

Tracklist:

01. Move D /The Silent Orbiter (…txt)
02. Donato Dozzy /Comfort Zone (IDO)
03. Taece /Time In Waves (unreleased)
04. Biosphere /Warmed By The Drift (Touch)
05. Ligovskoï /Mungu (Field Records)
06. Deepchord /Immersions (Astral Industries)
07. Konduku /Panorama (Mantis)
08. Radiohead /Treefinger (XL Recordings)
09. Fatih Tuter /Appreciation (Shimmering Moods Records)
10. Harold Budd & Brian Eno /Dark Eyed Sister (Editions)
11. Jock Burton /Lake Monger (Analogue Attic Recordings)
12. Marow /Inter 3 (IDO)
13. Night Sea /This Will Take Time (Silent Season)
14. Healing Force Project /Kinetic Drawing (Porn Sword Tobacco Edit) (Wicked Bass)
15. Mihail P /Jellyfish (Self Released)
16. Chapterhouse (retranslated by Global Communication /Delta Phase (Dedicated)
17. D.K. /Untitled (12th Isle)

~

Verdant Recordings | Bandcamp | Soundcloud

Preorder: James Bernard / Unreleased Works (1994-1999) Volumes 1&2

Today we announced a Preorder for a very special collection of Unreleased Works by James Bernard.

Sat in the vaults for over 25 years, these tracks were only previously available to a select few people via CDr, and have become a cherished collection for those in the know. So I am very proud and excited to present the music once again in a more realized format, including 20 tracks as a digital album, and two themed 2LP’s.

For more information and links to buy, head to the release page.